Lots of music here. LOTS of singing. You will find something you like. Alice is not lifestyle music (that's funny I should mention that with Coldplay looming around the corner), but I really think that just about anyone could love her.
The marketing for this album was persistant and successful. I'm not saying the album didn't merit the attention it garnered, but I will admit that the first time I heard of Coldplay was on a Sunday morning news show. Yes, soon Yellow was played into the ground, but did you see the video? The sun rose during the course of a one-shot shoot. They timed the sun rising, for crying out loud. Trouble is the same story. Overplayed, but just beautiful. Coldplay pulled together a relatively quiet, clean, simple album, and no matter how much I listen, I never tire of it. The ethereal voice and thin accompaniment are both perfect. Hidden gems: Sparks is a beautiful illustration of a love-soaked daze. Ironically, High Speed moves along like a floppy leaf falling from a century old maple tree. Did the title track start out as a bridge for a song that got cut? I'd like to ask Chris Martin why exactly he thought a 46-second song was necessary. It's nice, though. When it's done right, a great album doesn't need to hide behind noise, velocity or conventional duration.
9. The Dance - Fleetwood Mac
Lindsay Buckingham is a genius control freak genius! Let me back up. I got turned on to this concert the summer of '97. My brother was permanently moving out of our family house, and we tried to spend some time together knowing it would be the official end of childhood. That summer, VH-1 and MTV were shamelessly promoting dueling concerts that would run simultaneously. This was 100 years ago before TiVo, okay? Luckily, we didn't really give a toss about KISS reuniting.
To tell the truth, we didn't have much prior knowledge of Fleetwood Mac, but snippets of The Chain kept reverberating through the commercial breaks, enticing us with it's dark thumping intro. We sat down for this concert and were completely mesmerized, song after song. We were just two people sitting in a living room, not a stadium of thousands, but the frenetic fingerpicking solo in Big Love propelled both of us into a standing ovation. Landslide was one of my money songs in high school, and I approved of the new moments Stevie Nicks slipped in. The look Lindsay and Stevie shared during the thunderous applause afterward gave me goosebumps. Tusk, the USC Marching Band, closing with Don't Stop. It was glorious.
We videotaped the concert, and agreed to mail it back and forth to each other so no one was the official owner. It took many months for the show to come out on CD, that Chris decided to jump through some serious hoops to get us tickets for the show in Houston a couple months later. We had to get our fix.
8. Hair - Original Broadway Cast Recording
Before La Vie Boheme's "bisexuals, trisexuals, homosapiens carcinogens, hallucinogens," there was Hair's "long straight curly fuzzy snaggy shaggy ratty matty."
If only I had known that this album would score me an A on the Shakespeare soliloquy recitation test in sophomore English, I would have listened to What A Piece of Work Is Man earlier. Also, kids, if you need a road map through the Gettysburg Address, Abie Baby makes it pretty colorful and fun to memorize. Although Frank Mills was another one of my money songs, I secretly wished I could find two other chicks to sing the funky White Boys with me. I listened to the whole album, falling for the quirky numbers, like My Conviction and Abie Baby. However, once I saw Treat Williams walking onto that plane in the 1979 movie, I get choked up every time The Flesh Failures reprises Manchester, England in minor mode. I would love to be in this show.
Michael Hutchence had me hypnotized in all the videos for Kick, and it only got worse when I heard Suicide Blonde. He loved a girl with dark hair in The Loved One, but this blonde bitch made me jealous. Speaking of hair, Michael's looked awesome in the video for Disappear. If I couldn't have him, then I could get a stacked perm and try to look like him. I understand The Stairs so much better now that I live in a big city. The anonymity/closeness of neighbors is an amazing phenomenon. I love the uncomfortably long intro, kinda like the silence you might share with your next door neighbor standing behind them in line at Dominick's.
Originally, I think I loved this album simply because it wasn't as famous as Kick. I wanted it to myself. Later I decided X has more musical integrity, rather than the wanna-be soul sound of its predecessor. On the whole, the album preaches the value of love and togetherness (By My Side, especially), rather than a party album, or something political.
6. She's So Unusual - Cyndi Lauper
This was my first concert. My mom's coworker, Yrene, took this 2nd grader for an overnight trip to Las Cruces for a show at the Pan Am. I got a turquoise t-shirt that had a repeating image of Cyndi on the front, and a pair of hot pink socks, one which read, "She," the other "Bop." My brownie mother called me Cyndi for an entire year after I teased my hair to one side and spray painted it orange for Halloween. Cyndi Lauper is the reason I can't commit to one color of Fiestaware dishes. Cyndi gave me permission to be loud and funny and weird. Thank goodness my mom was okay with this seemingly safe punk diva. I didn't know the real meaning of She Bop for years.
I knew her single and her image. That was enough to make me need that concert. Girls do want to have fun, but I learned all the other songs that night. I do the 80's dance when I hear I'll Kiss You's thumping tom tom groove. Money Changes Everything will have lyrical relevance forever, and the bouncing guitar and squeezebox sounds are undeniably cool. What I didn't understand, but nonetheless appreciated was the sound behind When You Were Mine. It's a duet of Cyndi's sound and Prince's words, but really it's a trio. Cyndi's banshee wail harmonizes with her warm deep manly sound in octaves throughout. Lady's got some pipes, and if this album doesn't convince you, then find a recording of I'm Gonna Be Strong from her band Blue Angel. She's positively superhuman. And not just loud and screamy. Her ballads are beautiful. I don't know how you could have missed Time After Time or All Through The Night. If you did, though, get out the yearbooks and the Kleenex. Jimmy broke your heart in 6th grade, and you'll never get over it, but Cyndi will console you with these torch classics.
And now I present The Catcher in the R---I mean Grace. I'm going to say it. If you've never listened to Grace, you are not cool. This musical martyr's life was short, and the songs he left behind are sweet. It's difficult to describe why I desperately love Jeff Buckley. I should begin with the fact that I'm practically related because his dad was on the last episode of The Monkees.
Jeff Buckley is one of my main vocal inspirations, and I'm ashamed it took me almost a decade after
Grace's release to recognize how important he would be to me. I definitely remember hearing
Last Goodbye on the radio, but I didn't peel the layers of the onion until I listened to the whole album. This is another instant classic, and not because of Buckley's untimely demise. "It's my time coming I'm not afraid to die," are the prophetic lyrics of the title track. I'm usually partial to the first version I hear, but I've heard even more passionate renditions of
Mojo Pin. His live stuff was really good. Jeff Buckley had a reputation for playing too long and too annoying, and either I haven't paid close enough attention or I'm obsessed. I like it all.
Lilac Wine always slows down time for me. I almost can't breathe waiting for that first gentle strum that opens up the chorus. I think the whispered, "I love you, but I'm afraid to love you, I'm afraid," in
So Real may be the most sexual line in music history--not for the words, but the inflection.
Hallelujah. Enough said.
Lover, You Should Have Come Over is the sexiest song to ever mention funeral mourners.
Corpus Christi Carol isn't for everyone, but I respect the hell out of Jeff for tossing in a ditty from the 16th century, complete with an impossibly high long note at the end. I think
Dream Brother is an angry song about his absent dad ditching him repeatedly. Sad, but makes the whole legend of the
Buckleys a legend.
4. Photographs and Memories - Jim Croce
"Greatest hits albums are for housewives and little girls." Bruce Mc Cullough, Shame-Based Man.
I was a little girl when this album stole my heart. It has so much humor and beauty. Jim Croce had that innate ability to shut up and write. I can't stop myself. In respective spans of less than 4 minutes, Jim weaves the intricate story of a hustler who loses his pool empire to a guy from Alabama, sings a love song to his child, regrets the mistakes that landed him in jail while buffing a car to a high gloss, dedicates an ode a butch roller derby girl built like a kitchen appliance, recants the exploits of a badass Chicago Southsider, has a vengeful breakup, justifies a sad breakup, describes a stock car driver right down to his two tattoos, then admits that he's not too good at talking.
Right, Jim. You're not too good at the whole talking thing.
3. Pisces, Aquarius, Capricorn, and Jones, Ltd. - The Monkees
"And now from the elegant Pomp Room of the magnificent Palmer House high over Chicago asking that musical question..." Believe me, it was tough not to cheat and try to slip in the entire Monkees Box Set. And don't think I love all their songs equally.
PAC&J provides a healthy variety of styles for my short tween attention span. Daily Nightly was the first time I heard the Monkees go psychedelic with Micky on the Moog ( I didn't actually hear Headquarters until later). Peter Percival Patterson's Pet Pig Porky is Peter's spoken word poem that makes children of all ages giggle. Mike gets his well-deserved country chance with Salesman, a ditty about Beelzebub, and the longing apostrophe-fest What Am I Doin' Hangin' 'Round. Hard to Believe is Davy's schmaltzy samba that I grew to appreciate after fast forwarding through it about 70 times. The chunky guitar intro of Love is Only Sleeping might not be on par with Jimmy Page, but heck, it's sure danceable. Super happy tunes Pleasant Valley Sunday, Star Collector, and Cuddly Toy each have deep social themes, well-suited for the Pre-Fab Four's ravenous fans.
I love the cover art, the order of the songs, and the dreamy feeling I get when I close my eyes and spin this disc. Looking back, my inner hippie recognized that Mike got a real shot with the majority of the songs, his five eclipsing Micky's typical stranglehold on the vocals. What can I say? At age 10, I was ready for more challenging bubblegum pop.
2. Painted from Memory - Elvis Costello with Burt Bacharach
I accidentally flipped to Sessions on PBS in '98, and that cheesy piano balladeer was pounding away with... The Veronica guy? It took all of nine seconds to draw me in. Elvis took about three minutes to pay homage to the female backup singer who soloed on My Thief. I got a little angry. You could barely hear her. The more I think about that moment, and each time I listen to that song, I appreciate it more. She was painting on their canvas with the perfect light stroke. God bless the leads who believe in their backup singers.
I don't know anyone else who knows this album, and it makes me sad. Then the I feel so strongly about these arrangements, that I admitted to my opera teacher I wanted to not only sing along with Elvis Costello. I wanted to sing these songs like an opera singer would. The melodies are that beautiful. Walking through a music store in Austin, there it was. Sophie von fucking Otter had recorded an opera version of Painted from Memory. I'm so jealous I didn't get to it first.
Burt Bacharach is a pimp. His style hasn't changed a whit since I'll Never Fall in Love Again. Why? Because what he does works. Someone out there is thinking the same mundane thoughts you are, waxing poetic about borderline stalker jealousy (Tears at the Birthday Party), the city you met your lover (Toledo), your girlfriend moving out(This House is Empty Now). Call it melodramatic. Call Elvis's vocals gushy and strained. This album swings a big pair of wall-of-sound balls. Strings and kettle drums and muted horns. Please learn to love this album. It will make your life richer. Then we can talk about each song.
1. Mama Said - Lenny Kravitz